![]() ![]() Like Diva it has different quality settings. Then there has to be said that Diva has been optimized quite a bit in the meantime.īut still it is - at least for me - a synth that normally carries the duties that need the "extra-quality". I've met Zebra sounds that burn the CPU with just one voice played and there are Diva sounds that don't really hurt. That's simply because of their (quasi) modular nature. Ok, there's a lot of information here so far, but there are some things to be said:įirst of all, you can't generalize the CPU hit of Zebra and Bazille.ĭepending on what you are doing, it can be between very low, or even much higher than DIVA's hit. Otherwise, it works like a charm - never crashed on me. Again, it depends on how complex your synth work is. You can simply print a few tracks and you are ready to go further. What I am trying to say is that, this should not discourage you to buy Diva. But at the end of the day, nothing sounds like it. It does really make a difference!įor most situations, your CPU will not break a sweat at all but if you go crazy, Diva will be the first to hit your CPU. Use the multi-core option and use the draft setting with best setting for offline render. So in a hybrid situation the CPU will be stressed. I like to layer my percussion with synth white noise percussion a lot. It also depends on the type of patches and programming with in-built effects. It all depends on how complex your synth work is. It is however overclocked to 4.2 Ghz so it can really take a beating. The thing is, you can have multiple instances of Diva - I once had 30 of them in one project but if you play more than 5-7 at a time with lots of other things loaded like the ones I mentioned, it will crush your CPU.īut, my 6-core is older - 3930K. I can run 25 instances with 8 reverbs loaded for VSL, 40GB RAM footprint, about 90% on UAD, about 80 more plug ins in cubase of various kinds, including 3-6 instances of B2 reverb (which is very heavy).Īt this point, the CPU will feel the heat but it still works really well. ![]() It is the most demanding synth I have ever used but the results are stellar, unlike any other synth. Several instances of Diva playing rich polyphonic chords will however punish your CPU. Zebra over all is fine, you can run multiple instances without any issues even in some very demanding situations. You could speed up loading but its good enough for me.ĭiva and Zebra will hit only your CPU. has no role to play with synths unless its something like Omnisphere with lots of sample content.Įven then I have not had any problems with running Omnisphere on conventional hard drives for years. The FRV-1 is a great alternative to the original: reasonable price, small and handy, no maintenance of the three tubes, no noise due to mechanical swinging of the springs on stage. the DWELL control (signal strength sent to the reverb springs) up to middle position you hear the standard spring reverb of music history, from middle position on it gets really twangy - for SURF and SHADOWS! For guitarists, it is indispensable in surf music, shadows sound, rockabilly, country, beat and blues, and even the grunge of the 90s has influenced this rediscovered tube reverb!īOSS presents in cooperation with FENDER the FRV-1 a precise modeling of the '63 FENDER REVERB with all original controls! With e.g. This standard reverb was used on thousands of recordings and stages in the sixties and seventies not only for guitar, but also for many other instruments and vocals. Spring reverb is an absolute MUST for guitarists in many styles of music! It all started with the tube-powered FENDER REVERB reverb unit, which was later also built into many Fender amps (like the Twin Reverb) and defined the sound of spring reverb!
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